Filed under: maritime, maritime heritage, storytelling | Tags: Jamie Budge, maritime heritage, maritime museum, Santa Barbara Maritime Museum, surfing, The Living Curl
Sick and tired of all of the bad news in the papers and on the web? Longing for simpler times? Jamie Budge’s The Living Curl might be the antidote.
This Thursday (January 14, 2010), the Santa Barbara Maritime Museum offers The Living Curl in an old fashioned, 60s presentation: narrated live and in person by Jamie Budge. Five bucks gets you in, $10 more gets you tacos and a beer. Sounds awesome.
Thursday. January, 14 at 6 pm, Film shows at 7 pm – Call the SBMM Store at 805-962-8404 ext. 115 to purchase your tickets early!
Filed under: maritime art, maritime heritage | Tags: Bowsprite, maritime art, maritime heritage
Filed under: maritime heritage | Tags: maritime heritage, maritime history, SS United States, Wall Street Journal
Jesse Pesta wrote a great piece on the SS United States for the front page of today’s Wall Street Journal. Fans of World’s Fastest Ocean Liner Put Out a Distress Call Sept. 29, 2009) (free content) There’s a great nostalgic slideshow which includes the below photo of the author onboard at 2 years old.
The quote in the title of this post comes from the naval architect, William Francis Gibbs, a very interesting character who prided himself in beating his British counterparts in designing the fastest ship in the world. In fact, this was more a matter of national than personal pride during the post World War II technology boom. That’s him in the below photo watching his ship leave NY harbor.
If you’ve read Mr. Pesta’s article in the Wall Street Journal and you’re still not convinced that this grand old ship should be saved to preserve an important piece of America’s maritime heritage history, please watch this trailer for the PBS documentary by Big Ship Films, Lady in Waiting.
Here’s another promo for the documentary that has some different footage and is worth watching.
Wonder what it was like to sail the Atlantic on the SS United States? Here’s a home movie from the 1950’s (via ShipGeek):
YouTube – SS United States Unknown Home Movies
Unfortunately, things look a little different now. Here’s a video from Phillip Buehler great Modern Ruins website where he rollerblades the Promenade Deck to music by the ship’s orchestra that he found on eBay. Make sure you check out all of the amazing then and now photos in the SS United States section of Modern Ruins.
YouTube – Rollerblading on the SS United States Prominade Deck
This is a project of monstrous proportions. We can only hope that this old grand dame does not end up on a beach to broken up somewhere far away. She deserves better than that. Please raise awareness, spread the word and share this post with people you know who might care. Thanks.
Filed under: maritime heritage | Tags: maritime heritage, National Museum of American History, On the Water, Smithsonian
On May 20th, the Smithsonian’s National Museum of American History opened a new permanent exhibition, On the Water. While I haven’t had the chance to visit the museum, I’ve spent some time on the companion website and all I can say is that it really should be called MaritimeHistoripedia!
From the museum’s press release:
“The maritime influence on American history is one of the most compelling chapters in the national story,” said Museum Director Brent D. Glass. “‘On the Water’ will transport visitors to places they have never been, allowing them to experience life at sea through the experiences of real people and objects from one of the Smithsonian’s oldest collections.”
And from the museum’s website:
Marine transportation and waterborne commerce underlie American history like a strong and steady ocean current. Maritime trade established major cities, created connections between people and places and opened the continent. Visitors to this new permanent exhibition will explore life and work on the nation’s waterways, discovering the stories of whaling crews, fishermen, shipbuilders, merchant mariners, passengers, and many others. From 18th-century sailing ships, 19th-century steamboats and fishing craft to today’s mega containerships, the exhibition will reveal America’s maritime connections through objects, documents, audiovisual programs, and interactives. Visitors will discover the continuous and significant role maritime activity has played in American lives.
If you enjoy reading the Sea-Fever blog, you’re going to love exploring On the Water. But make sure you’re wearing you Internet PFD, because you could drown in the depth of information anchored there. Things are organized by period:
- 1450-1800 Living in the Atlantic World
- 1800-1850 Maritime Nation
- 1870-1969 Fishing for a Living
- 1820-1940 Inland Waterways
- 1870-1969 Ocean Crossings
- 1917-1945 Answering the Call
- Present Day Modern Maritime America
As well as by theme:
You can also search the museum’s vast maritime collection filtered by keywords and eras that reflect National Standards for U.S. History, Grades 5-12. Video and audio clips are extensively and effectively used throughout the website and there’s some great age appropriate learning resources available for educators and families too.
One of my favorite things about On the Water is the way they’ve create a mash-up of several popular social media websites to engage and enlist visitors in adding to America’s rich maritime story. Visitors are invited to upload photos to Flickr.com and post them to the OTW snapshots group which is linked to the below Google Map.
On the Water is a fantastic website for anyone interested in America’s rich maritime heritage. Take the plunge, the water’s great.
YouTube – Smithsonian goes On the Water
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Filed under: FotoFriday, life, maritime art, maritime heritage, photography, storytelling | Tags: FotoFriday, maritime heritage, New Bedford Whaling Museum, Phillip Mello, photography
The name in the title might look familiar and that’s because the artist is my cousin. Today the New Bedford Whaling Museum is opening a show of Phil’s amazing collection of photographic portraits of New Bedford commercial waterfront workers. From the museum’s website:
Working Waterfront, Photographic Portraits focuses on local shoreside workers and their jobs: from fish cutter to purveyor, from welder to auctioneer, from lumper to inspector, as well as fishermen. Each person, each job, is vital to the daily operation of supplying seafood to market. All photographs were taken by Phillip Mello, mostly using a Mamiya RZ 67 camera with Kodak BW400cn Professional film. They are part of a project he began early in 2008 and which continues today: to photograph the local fishing industry through the people who work in it. Mr. Mello knows these people and this place well, having worked on the waterfront for over thirty-four years, currently as plant manager at Bergie’s Seafood. His photographs benefit from this closeness, and we are fortunate to have had these doors opened.
There’s an opening reception this evening after the Whaling Museum’s Annual Meeting and before/during their very popular After Hours Friday night social event. But in case you can’t make the event or have trouble getting to the gallery anytime soon, you can experience Phil’s work via the Whaling Museum’s Flickr page.
Phil is also the president of the New Bedford Port Society which owns and operate the Seamen’s Bethel, which first came to fame as the Whalemen’s Chapel in Herman Melville’s classic American novel Moby-Dick, as well as the historic Mariner’s Home.
Reproductions of photographs in the exhibit are available via the Whaling Museum’s photography department by contacting email@example.com. Proceeds from their sale will be split evenly between the Whaling Museum and the New Bedford Port Society.
It’s an amazing body of work that celebrates the spirit of the people who work anonymously on New Bedford’s commercial waterfront everyday. Thanks to Michael Lapides, the New Bedford Whaling Museum’s Director of Digital Initiatives / Curator of Photography for giving the community the opportunity to get this inside look and for creating a historical document that captures an important part of New Bedford today. And thanks Phil, the Mello family is proud!
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Filed under: maritime heritage, tall ships | Tags: Duchasse Anne, Dunkirk, Google Earth, maritime heritage, Musee Portuaire Dunkerque, Street View, tall ship
Duchesse Anne in Dunkirk, France – Formerly a German training-ship called Grossherzogin Elisabeth, built in 1901. She was saved from scrap by the City of Dunkirk in 1981 and is currently an exhibit at Musee Portuaire Dunkerque
. With an overall length of 90 m, she is the biggest tall ship preserved in France. (via GoogleEarthHacks)
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Filed under: maritime heritage | Tags: Civil War, maritime heritage, S.S. Sultana
At 2:00 AM on April 27, 1865, a catastrophic boiler explosion took place on the grossly overcrowded wooden paddlewheeler S.S. Sultana. The ship was less than 10 miles from Memphis, TN on the Mississippi River when the explosion occurred. The overcrowding of the vessel was due to the large number Union soldiers from Ohio and Indiana returning home from the Civil War many of whom were recently released from Confederate prisons. The precise number of casualties is unknown but estimates are that 1,300 to 1,900 lives were lost.
This is the worst maritime disaster in US history yet few American’s are aware of it. In it’s day and ever since, it was overshadowed by the assassination of President Abraham Lincoln which had taken place two weeks earlier on April 14, 1865.
Last week I received a copy of Alan Huffman’s Sultana: Surviving the Civil War, Prison and the Worst Maritime Disaster in American History (2009). I had the chance to start reading it yesterday and am currently about a quarter of the way through it. So far it’s a fascinating read. If like me, you are interested in American and maritime history as well as leadership, this book’s also for you!
Here’s a few Sultana websites to check out on the 144th anniversary of the worst maritime disaster in American history:
- The Sultana Disaster Online Museum and Archives
- Sultana: A Tragic Postscript to the Civil War – American History Magazine
- Death on the Dark River: The Story of the Sultana Disaster in 1865
- Wikipedia – S.S. Sultana
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Filed under: life, maritime art, maritime heritage, Sea-Fever Style, storytelling | Tags: India House, maritime heritage, New York Times
Well, that the opinion of ALAN FEUER in his Rooms column in today’s (April 22, 2009) of the New York Times (Time and Tide Gnaw at a Downtown Enclave) While sounding a little harsh, there is more than a ring of truth to it and frankly therein lies the India House’s charm. At least for me.
A maritime curiosity shop as much as a luncheon club, the India House was where I was taken on a number of occasions by the “big wigs” to celebrate successes when I was cutting my business teeth. For good luck it was always a good idea to rub the belly of the big fat smiling Buddha standing sitting guard inside the front doors. If you like maritime culture, history and heritage, this place is like Disneyland (with cobwebs and expensive threadbare Persian rugs).
And this was a place where captains of industry made history. From the India House’s website:
We will never fully know how discussions over luncheon and private meetings at India House changed history from 1914 through World War Two. The maritime historian, Frank O. Braynard, in his 1973 foreword to the second edition of The Marine Collection at India House, states that “England could not have survived [World War Two] without the armada of American-built, American-manned, American-operated merchant vessels…managed by many of the outstanding members of India House.”
So without the India House, German might be spoken in England today. (more India House history)
Click on the above article for a PDF download of the original 1914 story which makes interesting reading. I was particularly struck by the following paragraph which shows how little things have changed in nearly 100 years.
From the sound’s of Feuer’s article, the same people who I spied across the room thirty years ago are still going there today. They appeared to be pretty old back then so there must be something good going on here. Maybe the new marketing pitch should be “Eat in the India House and Live Forever!”
This economy is causing all kinds of casualties. And while most people wouldn’t notice if the India House rolled up its carpet, it would be a real loss to our national maritime heritage. And heck, where else can you go and grab a good turkey club and feel like you are eating in a maritime museum.
The NY Times has a cool interactive feature you should check out.
Previous NY Times article: Streetscapes/India House, at 1 Hanover Square; A Club Created With the Theme of World Commerce
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Filed under: Education, maritime, maritime heritage, sail training, tall ships | Tags: Erie Maritime Museum, maritime heritage, Mystic, tall ships, US Brig Niagara
Some very bad news for tall ships, maritime heritage preservation and professional mariners today.
Plans for U.S. Brig Niagara’s sailing season could be sunk by Kevin Flowers for the Erie-Times News March 25, 2009 (download copy)
I’ll be writing more about this later.
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Filed under: maritime art, maritime heritage | Tags: Frank Stella, Grand Rapids Art Museum, Herman Melville, maritime art, maritime heritage, Moby-Dick
If you have never experienced Frank Stella’s monumental artworks you are missing out. His large three dimensional paintings/sculptures on twisted metal (stainless steel) in vivid colors are some of my favorite works of art.
From the Grand Rapids website:
From 1985 to 1997, leading American painter and printmaker, Frank Stella, created a major series of works linked to Melville’s classic Moby-Dick. He created one or more works for each of the novel’s 135 chapters. The completed series consists of 266 pieces: large metal reliefs, monumental sculptures, a mural, and an extended series of mixed-media prints. The series that Stella named for Melville’s novel is his greatest sustained achievement in four decades of making art.
The exhibition MOBY-DICK: Frank Stella and Herman Melville brings together more than thirty monumental printed works from Stella’s series, including his definitive masterpiece, The Fountain. Twenty-four feet in length, The Fountain is Stella’s largest and most complex work on paper. The woodblocks with metal inlay plates for The Fountain are included in the exhibition on loan from The National Gallery of Australia. A preamble to the exhibition includes a group of Rockwell Kent’s ink-drawings for Moby-Dick and the original Lakeside edition of the book.
You can download the Grand Rapids Art Museum’s audiotour of the exhibition from the museum’s website and view a short video interview with the artist on Blip.tv.
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